Paintings –
Color as a Living Force
My paintings grow from layered textures and organic structures —
acrylic, ink, and watercolor applied until something unexpected
appears. Each work balances expressive gesture with quiet intention
— atmosphere and depth finding their own way to the surface. Rooted
in contemporary abstract art, these textured artworks bring a
distinctive presence to modern interiors while inviting a closer
encounter with color, form, and process.
Blue Series 1Abstract
painting on paper
Monotype and mixed media
Size: 50 x 35 cm (19.68 x 13.78 inch)
Year: 2012
Blue Series 3Abstract
painting on paper
Monotype and mixed media
Size: 50 x 35 cm (19.68 x 13.78 inch)
Year: 2012
Transparency Series 1Abstract
painting on paper
Monotype and mixed media
Size: 50 x 35 cm (19.68 x 13.78 inch)
Year: 2012
Transparency Series 2Abstract
painting on paper
Monotype and mixed media
Size: 50 x 35 cm (19.68 x 13.78 inch)
Year: 2012
Transparency Series 3Abstract
painting on paper
Monotype and mixed media
Size: 50 x 35 cm (19.68 x 13.78 inch)
Year: 2012
'Elements in Transition' Triptych
Part 1Abstract painting on paper
Mixed media
Size: 18.11 x 12.7 inch (46 x 32.5 cm)
Year: 2010
'Elements in Transition' Triptych
Part 2Abstract painting on paper
Mixed media
Size: 18.11 x 12.7 inch (46 x 32.5 cm)
Year: 2010
'Elements in Transition' Triptych
Part 3Abstract painting on paper
Mixed media
Size: 18.11 x 12.7 inch (46 x 32.5 cm)
Year: 2010
Tres esferas – Three spheresAbstract
painting on paper
Mixed media
Size: 34.5 x 24.7 cm
Year: 2013
Respirar – A Space to BreatheAbstract
painting on paper
Mixed media
Size: 32.5 x 23 cm
Year: 2013
Gestación – A Quiet BeginningAbstract
painting on paper
Mixed media
Size: 36 x 25 cm
Year: 2013
Primavera I: Golden SeedburstMixed media on canvas
Size: 55 x 38 cm (21.7 x 15.0 in.)
Year: 2020
Primavera II: Layered GrowthMixed media on canvas
Size: 41 x 27 cm (16.1 x 10.6 in.)
Year: 2020
Primavera III: Organic CurrentsMixed media on canvas
Size: 40 x 30 cm (15.7 x 11.8 in.)
Year: 2020
Paintings — written by water
My paintings are abstract, yet never without memory. Standing before a blank sheet of paper, I am never quite sure whether I am beginning something or returning to something long known — and it is within that uncertainty that the first gesture appears.
I have always loved paper. It receives everything: it lets watercolor bloom and wander, carries the density of acrylic, draws ink deep into its fibers, and holds the soft breath of pastel. Each material asks for a different patience, and I follow where it leads.
Color, for me, is not decoration but temperature and direction — yellows that warm, blues that draw inward, reds that refuse silence. I layer them slowly, until what remains is not the image of a place but the trace of an encounter: a meeting of intention and chance, where a hidden poetic geography of the inner world rises quietly to the surface.